Sunday, July 27, 2014
There are so many ridiculous moments in Yuri Grigorovich's Spartacus that by rights, I should have hated it completely. The choreography for Spartacus and the slaves consists almost entirely of marching (the "goosestep"), leaping on a diagonal, chest-beating and sword-fighting. The choreography for Phyrgia consists entirely of being lifted like a sack of potatoes. The only remotely interesting choreography is for Crassus and Aegina. Crassus brandishes his penis extension (uh, I mean sword) in some truly convoluted ways, and Aegina is asked to shimmy, to lie on the floor and thrust her hips upwards, and then in Act Three, to do a pole dance in which she actually takes the pole and rubs it between her legs and shivers from the orgasm. The score by Aram Khachaturian takes a melody, and then repeats it about 10,000 times more.
Wednesday, July 23, 2014
Wednesday, July 16, 2014
There's a saying in ballet that says "Put Swan Lake on the billboard, and they will come." This certainly seemed the case tonight as the Bolshoi Ballet has kicked off its two week stay at the Koch Theater with a week a Swan Lakes. Well ... I think many of the audience were shocked, to say the least, that in the Bolshoi/Grigorovich version, there's no swan and no lake. In fact, audience reaction was muted, and it made for some awkward moments when the audience was dead silent and the dancers decided to come out for another bow.