|The incomparable Tall Girl of Teresa Reichlen, photo @Andrea Mohin|
Spring Season is so hectic that it's easier simply to keep shorter diaries of things you saw. So the first two weeks of spring season I saw three ballets at NYCB. Here are my brief thoughts:
April 19, 2016 - New York City Ballet's Spring Season kicked off on April 19 with a performance of Jewels that was packed to the rafters even in the fourth ring (unusual on a weeknight). It was not the best NYCB could offer as Jewels.
Emeralds was the biggest mess -- Amar Ramasar is completely miscast in the lead cavalier role and this ballet brings out the least in Tiler Peck. She's good, but you can always see her working too hard to achieve a resemblance of a dreamy reverie. Rebecca Krohn in the second solo part gave one of her usual low impact, bland performances. Rubies was much better. Megan Fairchild and Gonzalo Garcia didn't have the spiky edge that this ballet calls for but they did have the flirtatiousness and playfulness down pat. Teresa Reichlen reprised her unparalleled Tall Girl portrayal in Rubies. The cool, remote authority she exudes (as well as the mile-long legs and nonchalance) make this a modern day classic portrayal. She has so much strength -- she did all those unsupported developées and penchées without any strain. When she exited the stage with one last unsupported arabesque penchée the audience clapped loudly. Then Diamonds. I've now seen Sara Mearns in Diamonds several times and she looks more miscast each time. At this point in her career she's simply not classical enough to pull this off. Her arms get sloppier every day. She has a habit of pushing through the music and punching out the steps that takes away from the reverie of the pas de deux. In the Scherzo section she failed to play with the music, but again muscled gracelessly through the steps. Tyler Angle was her attentive partner.