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Thursday, December 29, 2016

December Warhorses, part four: Cats, and Yet Another Nutcracker!

Cats! photo @ Richard Termine

Last year I took my mom to see The Lion King, which I decided would be the perfect momsical. This year I decided to extend the tradition. My mom will only see family friendly musicals. And so my mom, predictably, chose Cats (what else)? The reason: "I love cats." (She does.)

A picture of the junkyard set
So I took my mom to see Cats, and it was an even more perfect mom-sical. I never saw the original 1982 Broadway version but I've read that this revival (also directed by Trevor Nunn) hasn't changed much. The dancing and lighting effects do have a very 1970's disco jellicle ball feel to them. My mom has a hard time understanding dialogue in the theater. Cats is a pure song-and-dance extravaganza. There's almost no storyline or character development (even my mom said "I wish there was more of a story") but she loved the non-stop dancing numbers, the cool set (the stage and theater is decorated like an abandoned junkyard), and of course the big 11 o'clock number "Memory."

Saturday, December 24, 2016

December Warhorses, part three: MORE Nutcrackers!

Shelly Anderson as the hostess of Nutcracker Rouge
My December chestnut tour ended up with ... more Nutcrackers. Also, a visit to the Trocks. I didn't really enjoy the Trocks as much as I thought I would (despite their very funny Passages in Space, a parody of Merce Cunningham). The Dying Swan number was cute, I guess. But it really wasn't my kind of thing.

So let's talk about those Nutcrackers. On December 22, I went to see Company XIV's wonderful Nutcracker Rouge. It's now in the Irondale Theater in Brooklyn (tucked away by a church) but it's still the same great show it was last year, with a few changes here and there. Austin McCormick's skill at putting together a cohesive entertainment from a company of such eclectic talents is amazing. There's been some turnover (Laura Careless is no longer with the company -- Allison Ulrich danced Marie Claire this year) but the mainstays are still there -- Shelly Watson as the hostest/cabaret singer, Marcy Richardson singing Sia's "Chandelier" while doing some jaw-dropping Pink-like trapeze artist moves. As usual, the Nutcracker score is mixed with Madonna, baroque music, even hip hop, and whatever else strikes Austin McCormick's fancy. The result: by far my favorite alternative Nutcracker, ever. Go see them. You'll have fun and become an instant fan of this quirky, wildly talented company.

Here are some videos I took of the evening.

Sunday, December 11, 2016

Warhorse Diaries, part 2: More Nutcrackers!!!

Abi Stafford in Yorkville Nutcracker

My tour of December warhorses has predictably resulted in more Nutcracker-ing. I did another round at NYCB with a different cast, and then headed over to the Yorkville Nutcracker.

Yorkville Nutcracker first: Francis Petrelle's Nutcracker is one of those "locally-based" versions. In this case, it's set in 1895 in Gracie Mansion and all the characters are historical people. The heroine is "Mary Strong," daughter of NYC mayor William L. Strong. The dancers are culled from a variety of sources but the kids are mainly of Ballet Academy East. If you're expecting a super-professional high-calibre Nutcracker you're likely to walk away from Yorkville Nutcracker disappointed -- the students and professional dancers are at varying degrees of ability, the production values consist of three different painted backdrops, and the music is recorded.